Showing posts with label Lisa Piccirillo. Show all posts
Showing posts with label Lisa Piccirillo. Show all posts

Tuesday, April 28, 2009

Momentum for Your Morning


The bass hook in the opening track of the Lisa Piccirillo's debut album "Momentum" grabs you right away--wrapping you tightly in the delight of the first of eleven exceptionally well produced songs. Brew some good coffee, find a comfortable chair in a sunny corner of the house, and take in the entire album in one sitting at the start of your day. It's a perfect antidote to the dreadful, relentless drone of network news.

I first learned of Lisa's incredible vocal skill when she sang background vocals on Gregory Douglass' 2005 album, "Stark." From the get go, the release of her debut, full-length album was something I've highly anticipated and Momentum definitely delivers. She has a rich, smooth, sensual voice and a well-grounded, mature lyrical sensibility. When combine with the spot-on studio performances from some of the best musicians from the Northeast, a guest vocal performance from singer/songwriter Patrick Thomas, and the astute production of Syd, it all comes together in a package that is right at home in your playlist alongside the likes of Deb Tallan, Patty Griffin, and Edie Carey.

Favorite Tracks:
"You Never Say"
"Shine"
"Fall"
"Sandbar" (featuring Patrick Thomas)



Thursday, April 2, 2009

$250 a seat? Really?


I really wanted to bring you another music discovery yesterday, but I was frustrated by something. It became a mental block. Here's the scoop.

First, a confession. Not all of my favorite artists are independent. There are a few bands, like U2, that I've been following since I was a teenager. I have fond memories of standing in line in 1984 to get a $15 ticket to the first leg of their Unforgettable Fire show at the "San Francisco Civic Center" (now known, as the Bill Graham Civic Center). The Waterboys opened. It was someone's birthday. Bono sprayed champagne all over the audience. Several of my friends got wet. It was a fantastic show. And, as a result, I've never missed a leg of any of their tours since. But that may have just changed.

Yesterday I was geared up to jump on the pre-sale opportunity for the an October date in Los Angeles. Since they haven't announced anything for the Bay Area, I was willing to hop on a cheap Southwest flight and be there to catch it. But I paused. Call me crazy, but I'm sorry. $250 for a decent seat! Sure I could get general admission on the field of the massive stadium for only $55, but I had to question... is it really worth it? It's not that I couldn't afford it, but rather, why? What else could I do with that money in support of the music I love?

There are some amazing bands and solo musicians all over the country that spend a good amount of their live performance time playing gigs in people's living rooms. These "house concerts" cost the host very little to produce (some food, a few cases of cheap wine perhaps, and maybe the rental of a few extra chairs), yet offer all their guests front row seats to one of the most intimate musical experiences they may ever have. Often in return, the artists simply ask for a suggested donation of $10 or so from the guests. If you've got a living room or basement or backyard big enough to host 30 friends or so, I encourage you to email an artist you like and just ask them. Chances are, they'd love to play a house concert for you.

If throwing a party isn't your thing, here's another way to make a tremendous impact in the world of independent music. Many studio albums, EPs, demos, and videos are all fan funded. That is, artists will offer up a pre-order opportunity before ever entering the studio to help raise the finances necessary to record the music they've worked so hard to write. Studio time is expensive. A 12 minute EP for example can easily cost $5,000 to produce. Unless the artist can be certain they'll sell a couple thousand copies of the EP after the fact, they're entering the studio at a financial loss. That simple donation of $10 or $20 from a few hundred fans, makes all the difference in whether or not the music is ever recorded. Think of it as buying futures in the music you love.

A few House Concert picks:


And for a new recording project currently seeking funds, check out Christopher Dallman.




Saturday, March 28, 2009

What the World Needs Now is an "Upswing"

Following the success of 2007's "The Way We Found It", Vermont-native Syd has released a new EP of completely infectious, sweet pop that is sure to make its way onto your iPod. It's a "collar-popping, PBR swilling" journey and, what could be better... it's completely FREE.

The Co-Op is making this EP available to all listeners for download directly from their site--for free. You have nothing to lose. Grab it today and hit play. Like what you hear? You're of course welcome to make a small donation to the cause.

While you're there, be sure to check out the Co-Op Sampler as well. It features some signature tracks from Syd, Lisa Piccirillo, and Patrick Thomas.

Favorite Track: Mallory